Keeping a finger on the pulse

Berndsen

He wants to alter your every ego trip

in Explore/Issue #4/REVIEWS by

Words by Wim Van Hooste The review was originally printed in Reykjavík On Stage (Issue 4) After being introduced to synths and drum machines by Icelandic icon and producer Hermigervill, Davíð Berndsen developed a groovy pump-up-the-jam, retro sound. His debut album, Lover in the Dark (Borgin 2009), gave him some international exposure, and it was re-released in 2011 by 101berlin in Germany and in Japan on the Donuts Pop label, and in 2012 by Geertruida in the Netherlands. His second release, Planet Earth (2013), is the perfect music to strut around to, dressed to kill in your fishnet gloves, shoulder pads, leopard leggings and slouch socks. The third album by this ginger-bearded redhead, Alter Ego (OX Records), also mines the 1980s for inspiration for his electropop music. The longplayer was funded by a successful Karolina Fund campaign. The record is driven by the Dutch connection, as all three studied in…

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Rokkað á Hvanneyri

(Pistillinn var skrifaður fyrir Tengivagninn á Rás1 og birtist þar, miðvikudaginn 14. ágúst 2019.) Falið í Borgarbyggð með tæplega 300

Iceland Airwaves 2018 by Jeff Obermeyer

in Articles by

I still remember our first Iceland Airwaves like it was yesterday. My wife and I landed at Keflavík in darkness after an overnight flight from Seattle, and when we stepped outside to board the bus to Reykjavík, we were greeted with rain attacking us at a 45-degree angle as the wind blew in off the Atlantic, half-soaking us before we could scramble on board. Welcome to Iceland in October! That was in 2009, and we’ve been back for every Airwaves since. Over the years, we’ve approached Airwaves in many different ways. We’ve rented cars so we could go do touristy stuff; we’ve done enough record shopping to get us on a first-name basis with more than one shop owner; and we’ve made a tradition of soaking at the Blue Lagoon on Sundays. But at the end of the day, Airwaves is about the music, and one of the things we’ve…

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Here in Reykjavík more than anywhere else, the power of unity has grown to be embodied in the ultimate annual

Don’t Leave Me This Way

Words by Wim Van Hooste Reykjavík On Stage had a chat with Arnar Guðjónsson, a 39-year-old musician, producer and sound

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