Words by Wim Van Hooste The review was originally printed in Reykjavík On Stage (Issue 1) The ninth studio album since 2000 by the neo-psychedelic rock band Singapore Sling is a colourful cocktail of Henrik Björnsson’s typical atonal voice, dirty reverb-driven bass lines, a wall of feedback powered guitars and menacing drums. Business as usual? A new ingredient perhaps? (more…)

Keep Reading